Now that it’s Adam’s senior year in the marching band, a vinyl poster with a picture of him in uniform is hanging at the football stadium, along with posters of all the other senior band members, cheerleaders, and football players. My wife and I saw it at the first home game, and he looked really good in it. We’d been a little nervous, since Doug had been dissatisfied with how he looked in his senior band picture two years ago. At lunch the next day, my wife said,
Adam, you took a great picture!
“No, he didn’t,” I said. “The photographer took a great picture.”
I was amazed to hear that sentence, because only hours earlier, I had heard a similar sentence from an instructor at the gym. At the end of a class, the instructor was making some small talk with the participants, and she got to telling about how it didn’t matter what she was wearing or how she did her hair,
I take crappy pictures.
It instantly set off my syntactic tripwire: The teacher wasn’t taking the pictures. People with cameras took pictures of her. Yet here she was, making herself the subject of the verb phrase take crappy pictures. I was especially alert for sentences like this because at the time, I’d just finished writing a script for the Grammar Girl podcast (which I’ll link to when Mignon runs it). [UPDATE: Here it is.] One of her listeners had asked about sentences like
This screw screws in easily.
and she’d passed it on to me to see if I could do something with it. I figured it would be a pretty quick piece to write. This kind of sentence is sometimes said to use the middle voice, since it has characteristics of both active voice and passive voice. On the one hand, the verb phrase looks to be in the active voice, with that active verb screws instead of the passive is screwed. On the other hand, the subject is not the do-er of the action (i.e. the agent); it’s the undergoer of the action (i.e. the patient), the hallmark of passive voice. (At least, it’s the hallmark when both an agent and a patient are involved. For verbs like die, which require only a patient, active-voice verb forms are expected.)
In addition to these characteristics, there are a couple of other things that linguists have noticed about these middle-voice sentences. One is that they often don’t refer to a specific event. Of course, sometimes they do, like the sentence talking about that time when the band photographer took a picture of Adam. But a more typical middle-voice sentence would be ones like these:
I don’t embarrass easily.
These cookies freeze well.
Our kit sells for $10.99.
Speakers of these sentences aren’t talking about particular embarrassments, or a specific time when they froze some cookies (even if they’ve done it many times), or all the times that someone paid $11 for their product. These speakers are more focused on saying something about themselves, or the cookies, or the item for sale.
This brings us to the next characteristic of middle-voice sentences: the subject gets the credit or the blame. In a prototypical active-voice sentence, such as
Kim took a picture,
the subject is not only the one taking the action (i.e. the agent), but is also the one exercising their volition. The subject is responsible for this action happening. On the other hand, in the middle-voice sentences, even though the subject isn’t the agent anymore, it is still at least partially responsible for pictures turning out great or crappy, or someone getting embarrassed, or the successful freezing of the cookies.
The third characteristic of middle-voice sentences is that they often have an adverbial element to them. In the example sentences we have easily and well. As with the event-reference tendency, there are exceptions that don’t contain adverbs. I tend to notice them in computer contexts:
Your receipt is printing.
The program is downloading.
And of course, our photography sentences don’t have adverbs. But look closer: Even these sentences manage to convey some idea of how the photographing goes, by modifying picture(s) with the adjectives great and crappy.
I wrote about all these kinds of sentences in the Grammar Girl script except for one: Sentences like You took a great picture and I take crappy pictures. These sentences have something that the others don’t: a direct object! In all the other sentences, this middle-voice construction takes a verb that’s ordinarily transitive and makes it intransitive, but in the two sentences I heard on that Saturday a few weeks ago, the transitive verb take is still transitive, taking the same direct object, picture(s) that it usually does. And instead of pictures becoming the subject, in a sentence like
*These pictures took well,
we have a noun taken from somewhere inside what would have been the direct object in an active sentence. Here, I’ll illustrate:
The photographer took a great picture of Adam.
Adam took a great picture.
The noun Adam is inside the of prepositional phrase, inside the direct object a great picture of Adam. In all the reading I’ve done on middle voice in previous years, and in the more recent reading I did in order to write the Grammar Girl episode, I haven’t come across this kind middle-yet-still-transitive sentence. I’ve tried to think of others, and so far I have only one candidate. It’s make, as in this pair of sentences:
My wife made a fantastic pie from these apples.
These apples would make a great pie.
Other examples, real or imagined, are welcome in the comments.